It’s fitting that Jacques Villeglé — like the pioneer in the art of the lacerated street poster (and the modern French detective novel) Léo Malet in the 1930s, an inveterate street-walker — realized his final work in removing and re-constituting the posters for erotic “message boxes” on the Mintel (the French ancestor of the Internet) that began plastering the rues of Paris between 1989 and 1992, when posters became largely supplanted by billboards. “There’s a certain affinity between the artist and these modern Lorettes,” Harry Bellet writes for the catalog of the works’ exhibition, running through April 12 at the gallery Vallois in Paris. “Like (the subjects of the posters), he walked the streets…. He also has an admirable respect for them: They display themselves — or rather they’re plastered up. He unglues them, liberates them…. Sometimes he tears them up, certainly, but as he confided to Nicolas Bourriaud…, ‘A wounded visage is still beautiful.’ In fact, Villeglé hasn’t lacerated these women; he’s softly, tenderly, langorously but always lovingly blown the leaves away.” Above: Jacques Villeglé, “Route de Vaugirard, Bas-Meudon, April 1991,” 1991. Lacerated poster mounted on canvas, 152 x 300 cm. Copyright Jacques Villeglé and courtesy Galerie Vallois.