I’ve often wondered: If an alien looked down on us, what would he see? At this moment on the streets of Paris, an awful lot of people talking into little boxes or who simply seem to be talking to themselves, ignoring their prochaine to pummel their box with their fingers. Until the aliens arrive, we can count on artists to give us a clairvoyant perspective on this society increasingly depourvu de la contacte humaine. So if you can get away from your little box and lift your eyes long enough to negotiate the narrow labyrinthine rues of the Marais, the above oeuvre by Catherine Balet, “Moods in a Room #34 (2019),” as well as other works by the hybrid artist pastiching painting and photography to investigate contemporary mores, is on view through March 30 at the Galerie Thierry Bigaignon at 9 rue Charlot. (Chaplin — or Charlot as the French call him — no doubt someone else who might have had something to say about the zombies walking the streets with their heads in the cyber-sand.) Courtesy Galerie Thierry Bigaignon. — Paul Ben-Itzak
From the recent Willy Ronis exhibition at the Mairie of the 20th arrondissement of Paris: Willy Ronis, “The children of Belleville, rue Vilin staircase,” 1959. The staircase flanks what is now the parc Belleville. See story below.